#THERE IS NO GREATER LOVE

[ricksmarlene]

You're the love of my life. I'm Yours.

RICK & MICHONNE GRIMES' RELATIONSHIP PARALLELS

[wecanbeperfect]

SIGNS OF THE END

[di-anthos]

friendship will save and did save the entire world. if you even care.

[casasupernovas]

i didnt like the amy winehouse biopic very much but i've had marisa abela's version of 'there is no greater love' stuck in my head for months now.

[heartofaangel01]

Amen 🙏🏻

God will never let you down!!

🙏🏻✝️🙏🏻

[metal-junk]

i like ur funny words, magic man

the idea that probably one of the most dangerous people in faerûn can become good after falling for a pathetic wizard is fucking hilarious to me. also i am an avid defender of gale and i want to make VERY CLEAR he isn’t supposed to be mansplaining bhaal to a bhaalspawn here, that’s just the only info i could actually write a significant amount of. i’m the one mansplaining here not gale i love gale

[andrewdmeyer]

A Few Live Recordings...

It’s been a long time since I’ve posted anything on here. I’ve been quite busy retooling so to speak. I’ve been focusing my energy on the bari lately. It’s the one saxophone that, until recently I haven’t spent a tremendous amount of time with. Anyway, I’ve been working with my trio, the Bigote Trio, to create a horn-focused version of Gypsy Jazz and in the past that’s meant mostly playing…

[ambrosiagourmet]

This is just a smaller observation that will hopefully someday be part of a larger analysis on Kabru's view of Laios & how Laios impacts him...

But I think it really interesting that Kabru surrenders something for Laios twice, and that these moments are inversions of each other.

The first time, Kabru gives up his life to maintain his control. He changes the course of the entire story with this action, and is willing to die to achieve that. Kabru is (supposedly) entrusting the future to Laios, but he is still very much the primary actor in the overall narrative. He is still the one choosing what the story should be.

The second time, however, Kabru gives up his control to keep hold of something personal and selfish (in the way of dungeon meshi selfishness - it is a good thing to keep this desire. It small piece of what makes him a living creature). He steps aside to let Laios choose the way forward. He surrenders narrative agency for personal agency... not changing the story, but changing himself.

[casually-eat-my-soul]

Can someone please write a fic about that one scene where stiles grabs Derek’s face in magic bullet.

Where although he was out of it Derek could feel stiles fingers trail across his face. He could feel how softly and careful stiles was in that one moment. It had been the first touch from a human, from anyone, that did not cause Derek pain.

And when Derek wakes up he’s just obsessed with being touched by stiles again because he remembered how good it felt, how finally someone touched him and it didn’t hurt. Derek refused to wash his face for like three days after this because stiles had unknowingly scent marked him, and he couldn’t make himself get rid of the scent. How it made Derek feel like he wasn’t alone.

This action makes Derek’s wolf believe that stiles is pack, (stiles is the first pack Member!!) and he just keeps ending up in embarrassing situations trying to get stiles attention and his hands and him.

He probably just ends up blurting it out at stiles one day. Or maybe after killing Peter, he just get handle the weight of being alone, of killing the last member of his family, of being touched by Kate, of being hurt.

So he drags his body to stiles house and just gets on his knees and begs stiles to touch him, to make it stop hurting.

And stiles knows how hard it is to lose a family member so he does. He doesn’t think this will happen again, he just understands that Derek needs comfort. But Derek comes back over and over again and every time begs stiles to touch him. And stiles does, every time.

It becomes a comfort thing for the both of them, stiles running his fingers over the planes of Derek’s face. Derek gets to relax in the one place he’s safe, listening to stiles humming or muttering and the beat of his heart. It becomes a need, but soon stiles touching Derek isn’t enough, Derek wants to touch stiles. He wants to return the favour, he wants to scent mark stiles back. So everyone will know that stiles is claimed, that he is protected by an alpha who would kill for him. And he gets the chance to on the anniversary of stiles mother’s death.

Stiles is just so tired, his dad is working, will be all night. Scott is with Allison, and stiles doesn’t have the energy to beg him to pick him tonight. So he goes to Derek; Stiles isn’t really sure what this arrangement that he and Derek have but tonight he is the one who needs. He drives to the hale house and ends up sobbing by the time he gets there. He’s just sitting in the jeep in front of the hale house and he can’t move. And suddenly Derek is there.

Derek was already worried when he could hear the engine of the jeep pull up but when it turned off and all Derek could hear was stiles crying, he moved without thinking. He yanked the driver side door open and his heart broke. Stiles was sitting there trying to calm himself down, rubbing the tears from his face but nothing was working. So when stiles turned his head to him, eyes pleading and whining, Derek picked him up and carried him bridal style into the house. Derek just holds him for hours, memorizing the way stiles feels under his fingertips.

In the aftermath Stiles makes one joke about being a blushing bride (due to the blush on his face and being carried bridal style) and Derek is just hit with a vision of being married to stiles. Of being about to always be allowed to touch stiles and blue screens. Unfortunately Derek wolf takes this as expressed agreement that stiles is mated and married to them.

Derek buys rings the next day. Sure it takes him a few more years to propose but it’s the thought that counts. (Cocky Derek hale who flirts with stiles by calling him his pretty little wife, just to see stiles blush a pretty pink for him. But one day stiles responds that he doesn’t have a ring, so Derek just gives it to him.)

[adharastarlight]

Reg sneaking into his dorm at 2am, uniform a little dishevelled

Barty, turning the light on and stroking a cat like a bond villain: why hello, you're out awfully late

Reg: ...uhm-

Evan, appearing in the shadows next to Barty: it's dreadfully strange how the light affects the colours of ties

Reg:

Reg: merde

[rocktheholygrail]

Hannibal 3x13 - “The Wrath of the Lamb”

Hannibal putting himself in front of the window to shield Will from Dolarhyde and getting shot + Will pulling a knife out of his shoulder at the risk of bleeding to death to save Hannibal from Dolarhyde

[wordsinhaled]

just musing about how niko was one of edwin's biggest unconditional supporters and gentle guides in his self-discovery of his sexuality, and i think it's so interesting that we still never saw edwin confide in her overtly about his feelings for/attraction to charles, though he easily could have at any time.

before the cat king ever shapeshifts into monty or charles to tempt edwin to realization, niko's there to tell edwin that it's okay for two boys to like each other, to let him know it's okay if he noticed monty when they first met, or if he enjoyed the idea of monty liking him; and she plainly tells him that he's completely allowed to want explicit things with another boy.

they talk about edwin's feelings and desires multiple times - he admits to her he's never kissed anyone, and even that the idea of kissing has become appealing to him. she asks him, does he want to kiss monty? does he want to kiss the cat king? but she never asks him directly, does he want to kiss charles? charles is the elephant in the room of that conversation, so to speak; the only other boy they know, the one she knows edwin is actually closer with than anyone else.

but she doesn't ask edwin about charles.

i think it's actually one way niko shows her love and care for edwin, her perceptive understanding of his boundaries, and her respect for his comfort, that she never pushes him to open up to her about this most vulnerable and newly-developing aspect of his truth—that his feelings are for charles—who is already the most important person in his life, and thus so much more life-alteringly consequential to him. even though she hasn't known edwin a long time she seems to grasp that he needs both the push and the personal space to come to his deepest realizations, even as she opens the door for him to come to them.

(i did consider for a split-second that maybe she never realizes it's charles that edwin's in love with, but i vetoed that thought immediately because... edwin just seems too deeply unsubtle for that to ring true. monty can see he's been passed over for charles. the cat king knows it immediately and asks about their 'special friendship,' and not just because he can literally read edwin's desires. crystal is going through amnesia and an identity crisis, and she still clocks that edwin and charles are like a married couple. so it only makes sense that niko can see it as well.)

plus, niko's got excellent reading comprehension, by her own admission; and she and edwin bond over both being great, astute detectives—getting to the bottom of a case is a love they share. and so i just think it's neat that between niko and edwin, the conversation about charles seems to remain deliberately unspoken even when it could easily become overt.

instead she speaks to edwin about charles in metaphors. she starts their conversation about physical intimacy and romance specifically with drawing edwin's attention to the red and blue starfish. "isn't it romantic? they're in love." they proceed to talk about monty, and about the cat king, but i doubt either she or edwin could fail to notice the color symbolism there. and when edwin tries to get scientific about it, she reminds him, "luckily, love requires no logic." and finally she gives him the red sea glass, for courage. courage to help him come to terms with what—and whom—he really wants, whoever it could be.

and in the end... edwin tells niko, "i did actually tell the boy i like that i like him." this is directly after niko tells edwin she's sorry monty turned out to be an evil spy crow and she and edwin commiserate about how things with monty didn't work out for him. and obviously, it was never the cat king edwin really liked. so, just like that, through process of elimination, edwin can only be talking about charles. and even then, they never say his name. they never have to.

i just think there's something awfully soft about how edwin's feelings for charles are first so deeply ingrained and natural to him as to be something he had to be woken to rather than something that happened to him suddenly. then once he was awake to what he felt and wanted, there's something i find lovely about the deep bond niko has with him, that she understands and honors his need to speak around his feelings for charles while holding space for him to still share them with her in his way. something about how charles is so deeply loved that it is easily understood, that he is there in the conversation without his name ever needing to be spoken.

[soaring-trash]

What happens if you leave?

[sol-thorne]

So I uhhh... I finished the Iliad. I had a lot of fun but there were so MANY weird ass funny moments that I HAD to draw. Enjoy my personal retelling of these bits. (The designs for the characters are very undocumented and definitely not final though).

PART ONE:

Part two over there!

[godzillaswaisttrainer]

Justice first, sleep later

[airenyah]

The four of you have worked together before, but never in the same series, is that correct? How was it when you learned that the four of you would be playing the main characters of the series?

BONUS: everyone's reaction